Sunday, November 07, 2004

Questions for a Creative Class

Did anyone else have trouble with Blogger earlier today? Maybe I'm just not creative enough - just one more idiot drone laboring in the university sweatshop.

And by the way, I certainly hope that pox Dorothea is casting about isn't too contagious!

1. I really really was planning to 'play nice'; then I read this: "Employing millions of people merely to do rote work is a monstrous waste of human capabilities. Someday it may be seen to be as retrograde, both ethically and economically, as compelling humans to pick cotton on a plantation" (321). How do we feel about Prof. Florida's assertion that (paid) rote work is analagous to slavery?

2. Florida assumes that workers have mobility, that they are able to move to the region or city of their choice. Is this a valid assumption? How does this effect his analysis of cities' creative environments? Are certain workers (within the 'creative' groups) more mobile than others?

3. Towards the end of the book, in the small section "beyond nerdistan" on page 284, Florida quotes someone who quotes someone saying "Ask anyone where a downtown is and nobody can tell you. There's not much of a sense of place here...." Is this a problem of not drawing creative class people? Or is it just bad city planning?

4. In what ways does or doesn't Florida understand social services/welfare's role in society?

Did anyone else feel like they were reading a Tony Robbins publication?

I LOVE the idea of the 'whitey index'!!


Dorothea said...

Blogger has been up and down like a bouncing ball all weekend. It's not just you.

Dorothea said...

Oh, and in response to your question number 1: WE THINK RICHARD FLORIDA IS AN ELITIST WANKER. That's what we think, for first-person singular values of "we."